A Handy Guide To Finding Yourself

A Handy Guide To Finding Yourself

Thursday, April 29, 2010

Contacting Barnes & Noble for inclusion instore

It's an exciting time for us at the Trashy Novel Corp. We don't want to sell paperbacks, but the market demands it! We've just pressed some books on 30% recycled paper, because we were convinced that the bleaching process on 100% recycled paper is just as bad for the environment!

There are very strict rules to follow for getting your book included instore. All kinds of stuff. You first have to become a vendor of record (See B&N website for more info). Then you need to send them all the marketing info on the book in question. Tell them where the author will be reading it, and what kind of advertising action is in the pipeline. There is a lot to do. I've got to go out now and collect the proper envelopes to send the books out.

We are also going to send "101 Dirty Hot Hotel Stories" to the New York Times Book Review and see what happens. That should be interesting. Will it make it past the slushpile!

What else is new around here?

Jack Appleford finally put together his epic tale of "The Rise and Fall of Stevieland ~ Book One" I believe he is working on books two and three and the manifesto that the cult follows like dogma.
Robin Witt is nailing down the specifics on here latest non-fiction book about Strippers and the lifestyle in "Dogshift". It's what the strippers call the day shift at a strip joint. We expect to have this book out by Fall 2010 or Winter 2011.

Geraldine Birch is working diligently on her latest WWII Novel entitled "The Swastika Tattoo." which probably won't be finished until 2011.

Tuesday, April 27, 2010

Putting the final touches on our Website

Isn't the internet a fun place to play around? We've just got our website a little more streamlined and hope to draw a little more attention to ourselves!!!

The Trashy Novel


Long live the digital revolution!!

Saturday, April 24, 2010

Make an Ebook & Sell that Ebook

Hello lovelies,

Today we are trying to understand what the funk is going on in the Publishing world. So many Ereaders and too little time. Nintendo is coming out with an Ereader! We're still waiting on the Skiff from Hearst, and KaKai is this new California company that is trying to make the 'Kindle' for students.

Long live the digital revolution!! And Read an Ebook, damn it!

Monday, April 19, 2010

Rebuke to the New Yorker


Now Joining the Publishing Math-Challenged: Yes, the New Yorker
Ken Auletta dramatically "reports" a portion of that which already happened--the emergence of Apple as a seller of ebooks and the introduction of the agency model--and he and the magazine's vaunted fact-checking department join the ranks of those who misconstrue the economics of publishing.
This one is a whopper, erasing all the margin in hardcover publishing by misunderstanding how returns work: "Traditionally, publishers have sold books to stores, with the wholesale price for hardcovers set at fifty per cent of the cover price. Authors are paid royalties at a rate of about fifteen per cent of the cover price. On a twenty-six-dollar book, the publisher receives thirteen dollars, out of which it pays all the costs of making the book. The author gets $3.90 in royalties. Bookstores return about forty per cent of the hardcovers they buy; this accounts for $5.20 per book. Another $3 goes to overhead costs and the price of producing and shipping the book--leaving, in the best case, about a dollar of profit per book."
That miscalculation may help explain why the piece also indulges in the cliched storyline that "the industry was desperate for a savior" because sales were up (yes, up) only slightly between 2002 and 2008. Ignoring the statistics from Bowker, which if nothing else show more books coming to market than ever before, "like other struggling businesses, publishers had slashed expenditures, laying off editors and publicists and taking fewer chances on unknown writers."
In another lapse, the story closes by citing a rumor from late March--"Just days before the iPad went on sale, on April 3rd, there were rumors that Apple might list best-sellers for as little as $9.99"--rather than actual fact. (Auletta does not deal at all with the price brackets that determine the Apple price, or the additional discount provisions for bestsellers.)
Also, Auletta mashes together Google's in-development initiative to sell in-print books from publishers with what they might do to sell older titles as a result of the Google Books Settlement if approved by a judge.
What Auletta adds is his specialty--gossipy unsourced quotes from people he assures us work closely with Steve and Jeff. A "close associate of Bezos" says, "What Amazon really wanted to do was make the price of e-books so low that people would no longer buy hardcover books. Then the next shoe to drop would be to cut publishers out and go right to authors." Later on there is another quote from "a close associate of Bezos' (not clear if it's the same associate): "Amazon was thinking of direct publishing--until the Apple thing happened. For now, it was enough of a threat that Amazon was forced to negotiate with publishers."
Amazon's Russ Grandinetti says that publishers sell directly on the web, so why shouldn't the etailer publish: "It seems like they're in our business, so it's a strange argument to worry about this in the other direction."
Separately, an Apple "insider" confides, "Ultimately, Apple is in the device--not the content--business. Steve Jobs wants to make sure content people are his partner. Steve is in the I win/you win school. Jeff Bezos is in the I win/you lose school."
In another notable bits, Random House ceo Markus Dohle advises that "if you want to make the right decision for the future, fear is not a very good consultant." He believes that the Agency Five rushed their business model shift: "The digital transition will take five to seven years.... For me it's not a question of a week, or a hundred days."
Amusingly, the story also has Amazon's Russ Grandinetti advising publishers to pour money into enhanced ebooks that don't work on Amazon's current devices: "to thrive, he believes, publishers have to reimagine the book as multimedia entertainment."

~ Publishers Marketplace story

Sunday, April 18, 2010

IPad on track to sell 4.3 Million units in 2010

Fucking A.

Get those interactive children's books done right! Hire some Application people or just spend the $250 to get the Apple Application package and learn it yourself.

Keep at it my digital publishing friends.

Get out there and buy the license for the digital rights from somebody!!!

Viva the Digital Revolution!!

Monday, April 12, 2010

Fighting the good fight








I'd like to welcome all my new readers and hope they've caught the .99 "Venice Via Venice" Special price for the rest of time Special. Enjoy those ebooks!

Wednesday, April 7, 2010

Life Under Agency, Continued: Hybrids Aren't Just for Cars

We're going to keep grinding our way through the idiosyncracies and challenges of life under the agency model, understanding that all of this is a constantly moving target.
While Random House has gotten all the attention as the biggest trade publisher whose titles are not available via the just-launched iBookstore, it should be underscored that so far, very few companies of scale outside of the Agency Five have a presence there. In addition to those already announced--Perseus, Nelson, Workman, Sourcebooks, and F+W--we found lists of titles from Hyperion and Kensington (henceforth known as the Non Five).
But the list of absent publishers is much larger. For now it includes Abrams, Andrews McMeel, Bloomsbury, Chronicle, Harlequin, Hay House, HCI, Houghton Mifflin Harcourt, Norton, Regnery, Rodale, Sterling, and Wiley. Also missing are prominent Perseus distribution clients like Grove/Atlantic, rising indie publishers like Quirk and Skyhorse, and all the big university presses.
We know that at least some of the publishers listed above are far along in their discussions with Apple and hopeful of reaching agreements soon. Among the issues are Apple's hardcover price parity requirements balanced against Amazon's reported unwillingness to negotiate changing to an agency model with any companies outside of the Agency Five, plus the time period Apple gives publishers to change their pricing with other customers to comply with Apple's agreement.
While the Non Five we reached declined to discuss their plans and conversations about terms, the current state of play is more or less self-evident. Apple's published terms of use indicate they are an agent for all books in the iBookstore, just as Amazon clearly denotes when the ebook is sold and priced by the publisher rather than Amazon. If you check the Amazon listings for Kindle titles from any of the Non Five, you'll see that they are still sold by Amazon.
While the Agency Five have moved to agency terms across all their ebook retailers, the Non Five are currently driving a hybrid model: agency for Apple, and wholesale everywhere else. The big question--for the Non Five as well as for other publishers still negotiating with Apple--is how long and how well a hybrid model is sustainable.
Some of it has to do with the nature of a company's list--both the frontlist versus backlist mix, as well as the reliance on high-profile new hardcovers versus paperbacks. And publishers know--even if consumers and the Pricing Police have failed to recognize--that a lot of their ebooks sell for more than $9.99 all the time. By at least one account of the Apple contract, the company's requirement that their price match the lowest price in the market applies only to hardcovers in their new release window, not paperbacks. Yet at least some contracts with Amazon and other legacy etailers also require that a publisher's ebook list price be set no higher than at other accounts. So there are potentially irreconcilable price requirements between Apple and wholesale ebook contracts. (Feel free to have a side discussion here with counsel about your consumer price versus your digital list price.)
In early not for attribution discussions, we've heard both sides of the coin: some companies are inclined to believe that, while less desirable, they can sustain a hybrid sales model at least while the market takes shape and there is more time to negotiate across their vendor relationships. A hybrid model can mean taking some form of financial hit--but for many people, a full agency model also involves some financial hit. But others see the hybrid as both costing them too much money and presenting too many monitoring and compliance issues to avoid breaching the Apple agreement. Most people willing to discuss it envision a hybrid model as a temporary solution only--though it could well be the prevailing temporary solution.
In the early experience of one publisher, even trying to execute price parity and keep metadata up-to-date across the supply chain is looking problematic, at least in these transitional days. Last Friday, before the iBookstore went live, Sourcebooks diligently sent data feeds to Amazon, Barnes & Noble and others to update their stated digital list prices to match their Apple iBookstore pricing.
But a search this morning of Sourcebooks titles at other major ebooksellers revealed an assortment of discrepancies. Some books--like Mr. Darcy's Diary--successfully show the new lower digital list of $9.99 at both Amazon and BN.com. But in that case, Sourcebooks' attempt to establish price parity has been undercut, with both Amazon and BN.com selling the ebook for $7.99, as is their right under their existing wholesale arrangement.
Other titles--like My Dearest Mr. Darcy and Mr. Darcy's Great Escape--still show the old digital list price of $12.99, instead of Sourcebooks' new pricing of $9.99. Yet other titles still--like Mr. & Mrs. Fitzwilliam Darcy: Two Shall Become One, have disappeared entirely in ebook form from both Amazon and BN.com, and titles like The Other Mr. Darcy are gone from Amazon only in ebook form.
Sourcebooks publisher Dominique Raccah was contacting accounts this morning to try to determine what had happened. She observed, "Clearly this is complicated. We knew it was going to be complicated." But Raccah underscored, "My goal is to have my authors' book available on any device, at any time, anywhere. That's the committment we're making to authors." Echoing remarks by O'Reilly Media ceo Tim O'Reilly at the recent Tools of Change, she said part of what publishers offer to authors is "the wrestling with these things. And indeed, we're wrestling with it."

~Copied from Publishers Marketplace newsletter...

Sunday, April 4, 2010

We$$$$just$$$made$$the$$IPAD$$$hello$$$$$$REVENUE$$$$$

Working on a really great picture for you guys for this one.

I just want to thank all the people that encouraged us to keep on and so we kept on and look at us now.

We have 4 books in the Ibook store.

Venice Via Venice
Skyscraper
101 Dirty Hot Hotel Stories
Sedona: City of Refugees

We are currently working on getting "The Very Last Caterpillar" into the IPAD platform. Shouldn't be a problem, once we turn it into an EPUB. We've got a couple good people contracted out to make some interactive childrens books and hopefully "The Very Last Caterpillar will be the first out of the gate. The first baby steps we will be taking will be to get it through the meatgrinder at smashwords and see how that works.

Some authors are being hunted, some exciting prospects and one has a childrens book with a well known latino artist doing the illustrations and that could be very exciting. We are trying hard for a comedy book, by Kelly Ebsary and maybe some non~fiction about the Food Service world.